We begin on the Project Manager showing how to set a custom frame rate and why it matters for sync. After importing sample footage, I demo color coding bins so you always know where assets live.
On the Edit page, I work through marking in/out points, using trim edits for J-cuts, and enabling snapping for faster alignment. The Color chapter focuses on balancing S-Log3 footage with lift/gamma/gain and layering a creative LUT on a second node.
Finally we hop into Fairlight to set dialogue at -5 dB, duck the score using automation, and export with the YouTube 1080p preset. The bonus chapter covers when to upgrade to Resolve Studio for tools like noise reduction.
Build a complete timeline using the newest version of DaVinci Resolve. This watch page pairs the full video with quick reference notes so you can pause, practice, and resume with confidence.
Runtime: 18 minutes covering download, timeline setup, editing fundamentals, color, audio, and export.
Tools Used: Sony A7C II, DJI Pocket 3, RØDE Wireless PRO, Tamron 28–200mm.
Resources: Includes chapter markers, transcript highlights, and affiliate links to Carl’s gear.
Resolve’s Cut and Edit pages are friendlier than ever thanks to automatic proxy generation and AI-based audio cleanup. You don’t need expensive plugins to achieve a cinematic grade—just learn how Lift, Gamma, Gain, and Offset interplay.
For consistency, save PowerGrade presets once you build a look you love. And remember: locking your frame rate at the beginning saves you from painful re-renders later.
Affiliate disclosure: Purchases made through these links may earn me a small commission.
Have a Resolve question? Drop it in the comments on YouTube and I’ll add it to a future tutorial. Next up: Fusion titles, audio mastering, and grading Sony S-Log footage without the noise.